Journal
[FEATURE] Brain Cell: Ryosuke Cohen's Network o...
A feature on Ryosuke Cohen's Brain Cell project — its 40-year history, its Gutai lineage, what makes each sheet unique, and why it's significant for collectors. Available exclusively through ART...
[FEATURE] Brain Cell: Ryosuke Cohen's Network o...
A feature on Ryosuke Cohen's Brain Cell project — its 40-year history, its Gutai lineage, what makes each sheet unique, and why it's significant for collectors. Available exclusively through ART...
How Is Art Priced? Three Factors That Determine...
Three factors that determine art prices — institutional track record, contextual depth, and the singularity of the object — explained clearly, with examples from ART & DAY's represented artists.
How Is Art Priced? Three Factors That Determine...
Three factors that determine art prices — institutional track record, contextual depth, and the singularity of the object — explained clearly, with examples from ART & DAY's represented artists.
What Is Mail Art? The History and Continuing Re...
The history of mail art — from Ray Johnson's New York Correspondence School to Ryosuke Cohen's Brain Cell project — and why the postal tradition remains relevant in a digital...
What Is Mail Art? The History and Continuing Re...
The history of mail art — from Ray Johnson's New York Correspondence School to Ryosuke Cohen's Brain Cell project — and why the postal tradition remains relevant in a digital...
An Invitation from Paris: Matthew Rose's 2025 C...
Matthew Rose's 2025 collage collection arrives at ART & DAY — including the Tokyo-focused centrepiece work. About the artist, his Paris practice, and his institutional record at MoMA and LACMA.
An Invitation from Paris: Matthew Rose's 2025 C...
Matthew Rose's 2025 collage collection arrives at ART & DAY — including the Tokyo-focused centrepiece work. About the artist, his Paris practice, and his institutional record at MoMA and LACMA.
Why Japandi Interiors Call for Matthew Rose's C...
Why Matthew Rose's collages belong in Japandi interiors — the material quality of old paper, the use of negative space, and a muted palette that integrates naturally into restrained spaces.
Why Japandi Interiors Call for Matthew Rose's C...
Why Matthew Rose's collages belong in Japandi interiors — the material quality of old paper, the use of negative space, and a muted palette that integrates naturally into restrained spaces.